Over the last few years, there has been a rise in mobile photography, accompanied by a rise of photo editing on mobile devices. Nowadays, everyone has a phone they take with them. It’s easy to take it out on the go and snap a picture.
People use their phones to take photos of all sorts of things, from taking a quick pic of something cool to some serious travel photography. It’s one thing to take a photo and another to make it look fantastic. That’s where these photo editing apps come into play.
In this article, I have gathered a list of the best mobile apps for you to try out. They are all here to make sure your photographs look amazing. Check them out, you might come across a new app that is perfect for anything you may want to do.
01. Cymera
This is an app for everyone who loves to take selfies or photos of other people. Its main feature is its ability to edit faces. Cymera is not only used for selfies, though. It also works just fine with food, street photography or anything else. Still, its main focus is on beauty photography.
The app lets you adjust skin tones, fix makeup, and add filters, too. It’s one of the favorite photography apps of users who love to take selfies. It has several filters with which you can remove or adjust flaws on a face.
Download: ANDROID / APPLE iOS
02. VSCO
For those of you who are just like me and have no idea how to pronounce it, the app’s name is pronounced “visco”. At this point, I think VSCO is a very popular app. But, in case you haven’t heard of it, it’s my favorite photo editing apps.
The cool thing about VSCO is the number of settings it has for editing your photos. It allows you to perform both subtle and intense adjustments. It’s up to you how much you want to edit your photos on the go. I don’t think it can get as intense as Mextures, though.
Download: ANDROID / APPLE iOS
03. AirBrush
Here we have AirBrush. As the name suggests, this application helps you remove any flaws you may have in your portraits, be it a selfie or a group photo of your friends.
It has some seriously powerful functionalities such as teeth whitening or blemish removal. If you took a fantastic photo of yourself but happened to have an unfortunate skin breakout, you can quickly and easily remove it with AirBrush.
Download: ANDROID / APPLE iOS
04. Huji Cam
If you want to add a hint of classic nostalgia to your everyday lifestyle and travel photos, Huji Cam is worth giving a try. Inspired by the old disposable camera developed by Fujifilm, which produced photos with some unintended side-effects, Huji Cam lets you take and edit photos as if its 1998.
Even the app interface looks and feel like an old disposable camera and when you take a picture using the app it adds those same old-school “light effects” to give them a vintage vibe.
Download: ANDROID / APPLE iOS
05. Mextures
Mextures is an app for some serious light augmentation within a photograph. You can do some crazy filtering to your photos with Mextures.
You can add textures, grits, grains, and all sorts of light filters to your photos. Besides, you can use gradients, grunge, and radiances to edit your photographs. I’ve seen a few photos edited with Mextures and they can come out really crazy and intense—if you’re into that sort of thing.
Download: Exclusively on APPLE iOS
06. Prisma
The coolest thing about Prisma is its fun filters. The app uses artificial intelligence to edit photos and turn them into drawings. The idea behind Prisma is to alter a photo and make it into art. There is a variety of filters to choose from, such as Composition which turns the photo into a colorful cubist-like photo.
The app comes with over 30 different styles to choose from, too. You can pick the intensity of the style applied to your original photo, so you don’t necessarily have to use it at full intensity.
Download: ANDROID / APPLE iOS
07. A Color Story
This is a hell of a fun app. If you love playing with lighting and color effects this app is for you. It has over 40 effects, 100 filters, and 20 different tools to edit your photos. The tools in A Color Story are quite powerful as well.
You can adjust the specific spots on the photo, one at a time, instead of adjusting the photo as a whole like in most mobile apps. A Color Story gives you a lot of freedom and power in mobile photo editing.
Download: ANDROID / APPLE iOS
08. SKRWT
SKRWT has definitely come in handy for me on multiple occasions. SKRWT allows you to adjust the angles of a photo in order to straighten it. Mobile photography is anything but perfect. You often have to take a photo from a weird angle that distorts the subject. SKRWT reverses that distortion.
For instance, it makes a photo of a building taken from the ground look straight on. The application comes with all-purpose lens correction. It’s a fantastic feature to have at your fingertips.
Download: ANDROID / APPLE iOS
09. PicLab
PicLab is a cool app because it allows you to edit a photo by adding pretty typography to it. PicLab lets you express yourself, have fun, and be creative. Many of the text styles are pre-made; you simply add them to your photos and type the text into the design.
If you’ve ever wondered how quotes are made for Instagram photos PicLab is one of those apps that make it happen. The app even allows you to make photo collages, too.
Download: ANDROID / APPLE iOS
10. Retrica
Retrica is for those of you who enjoy abstract designs, especially with many colors. The app has a bunch of filters that can get pretty intense. Not all of them are like that, though. The app does let you make more regular looking edits too, but where is the fun in that? ?
A fun feature from Retrica is the ability to make gifs. Actually, most camera and photography apps don’t frequently offer this feature. It’s a nice touch for everyone who loves to make a quick video and post it as a gif on Instagram. The plus here is that you can shoot it and edit it within a single app.
Download: ANDROID / APPLE iOS
11. Snapseed
Snapseed is an app made by Google, actually. I didn’t know that at first. When it comes to editing, the app is all-inclusive. It has a variety of tools, including light tuning, cropping, rotating, and even transforming. It offers many great features for photographers.
Of course, the app does support filters, too. If you are serious about editing your photography this is a great app to try. It also has a spot repair feature, which is a fantastic tool.
I think Google had the expertise to create a great mobile app. Many people really enjoy using it. I’ve used it a couple of times and I was impressed by the variety of edits I could have done.
Download: ANDROID / APPLE iOS
12. Artifact Uprising
The last app on my list allows you to print your photos. I love its brand design. It’s very minimal but sophisticated. I enjoy the lack of colors that lets the photographs shine.
Instagram’s most recent redesign to a black-and-white style definitely took a page out of Artifact Uprising’s playbook. All these amazing photos should be printed.
I find that printed photographs, be it a postcard or an album, are so much more than just a digital picture. The app even can import and print your Instagram photos, too. It’s a great app to have if you enjoy printed photos.
Download: Exclusively on APPLE iOS
What apps do you like to use to make mobile photography edits? Do you prefer to do creative and crazy things to your photos? Or, do you just edit the lighting to make sure the shot you took is just perfect?
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That again was no use: he but got another smile and a friendly look of the sort he no longer wanted. I said I thought I could gallop if Harry could, and in a few minutes we were up with the ambulance. It had stopped. There were several men about it, including Sergeant Jim and Kendall, which two had come from Quinn, and having just been in the ambulance, at Ferry's side, were now remounting, both of them openly in tears. "Hello, Kendall." We have this great advantage in dealing with Plato—that his philosophical writings have come down to us entire, while the thinkers who preceded him are known only through fragments and second-hand reports. Nor is the difference merely accidental. Plato was the creator of speculative literature, properly so called: he was the first and also the greatest artist that ever clothed abstract thought in language of appropriate majesty and splendour; and it is probably to their beauty of form that we owe the preservation of his writings. Rather unfortunately, however, along with the genuine works of the master, a certain number of pieces have been handed down to us under his name, of which some are almost universally admitted to be spurious, while the authenticity of others is a question on which the best scholars are still divided. In the absence of any very cogent external evidence, an immense amount of industry and learning has been expended on this subject, and the arguments employed on both sides sometimes make us doubt whether the reasoning powers of philologists are better developed than, according to Plato, were those of mathematicians in his time. The176 two extreme positions are occupied by Grote, who accepts the whole Alexandrian canon, and Krohn, who admits nothing but the Republic;115 while much more serious critics, such as Schaarschmidt, reject along with a mass of worthless compositions several Dialogues almost equal in interest and importance to those whose authenticity has never been doubted. The great historian of Greece seems to have been rather undiscriminating both in his scepticism and in his belief; and the exclusive importance which he attributed to contemporary testimony, or to what passed for such with him, may have unduly biassed his judgment in both directions. As it happens, the authority of the canon is much weaker than Grote imagined; but even granting his extreme contention, our view of Plato’s philosophy would not be seriously affected by it, for the pieces which are rejected by all other critics have no speculative importance whatever. The case would be far different were we to agree with those who impugn the genuineness of the Parmenides, the Sophist, the Statesman, the Philêbus, and the Laws; for these compositions mark a new departure in Platonism amounting to a complete transformation of its fundamental principles, which indeed is one of the reasons why their authenticity has been denied. Apart, however, from the numerous evidences of Platonic authorship furnished by the Dialogues themselves, as well as by the indirect references to them in Aristotle’s writings, it seems utterly incredible that a thinker scarcely, if at all, inferior to the master himself—as the supposed imitator must assuredly have been—should have consented to let his reasonings pass current under a false name, and that, too, the name of one whose teaching he in some respects controverted; while there is a further difficulty in assuming that his existence could pass unnoticed at a period marked by intense literary and philosophical activity. Readers who177 wish for fuller information on the subject will find in Zeller’s pages a careful and lucid digest of the whole controversy leading to a moderately conservative conclusion. Others will doubtless be content to accept Prof. Jowett’s verdict, that ‘on the whole not a sixteenth part of the writings which pass under the name of Plato, if we exclude the works rejected by the ancients themselves, can be fairly doubted by those who are willing to allow that a considerable change and growth may have taken place in his philosophy.’116 To which we may add that the Platonic dialogues, whether the work of one or more hands, and however widely differing among themselves, together represent a single phase of thought, and are appropriately studied as a connected series. Before entering on our task, one more difficulty remains to be noticed. Plato, although the greatest master of prose composition that ever lived, and for his time a remarkably voluminous author, cherished a strong dislike for books, and even affected to regret that the art of writing had ever been invented. A man, he said, might amuse himself by putting down his ideas on paper, and might even find written178 memoranda useful for private reference, but the only instruction worth speaking of was conveyed by oral communication, which made it possible for objections unforeseen by the teacher to be freely urged and answered.117 Such had been the method of Socrates, and such was doubtless the practice of Plato himself whenever it was possible for him to set forth his philosophy by word of mouth. It has been supposed, for this reason, that the great writer did not take his own books in earnest, and wished them to be regarded as no more than the elegant recreations of a leisure hour, while his deeper and more serious thoughts were reserved for lectures and conversations, of which, beyond a few allusions in Aristotle, every record has perished. That such, however, was not the case, may be easily shown. In the first place it is evident, from the extreme pains taken by Plato to throw his philosophical expositions into conversational form, that he did not despair of providing a literary substitute for spoken dialogue. Secondly, it is a strong confirmation of this theory that Aristotle, a personal friend and pupil of Plato during many years, should so frequently refer to the Dialogues as authoritative evidences of his master’s opinions on the most important topics. And, lastly, if it can be shown that the documents in question do actually embody a comprehensive and connected view of life and of the world, we shall feel satisfied that the oral teaching of Plato, had it been preserved, would not modify in any material degree the impression conveyed by his written compositions. breakfast in the kitchen by candle-light, and then drove the five The bargaining was interminable, something in this manner:— Then follows a long discussion in Hindi with the bystanders, who always escort a foreigner in a mob, ending in the question— There was a bright I. D. blanket spread on the ground a little way back from the fire, and she threw herself down upon it. All that was picturesque in his memories of history flashed back to Cairness, as he took his place beside Landor on the log and looked at her. Boadicea might have sat so in the depths of the Icenean forests, in the light of the torches of the Druids. So the Babylonian queen might have rested in the midst of her victorious armies, or she of Palmyra, after the lion hunt in the deserts of Syria. Her eyes, red lighted beneath the shadowing lashes, met his. Then she glanced away into the blackness of the pine forest, and calling her dog to lie down beside her, stroked its silky red head. The retreat was made, and the men found themselves again in the morning on the bleak, black heath of Drummossie, hungry and worn out, yet in expectation of a battle. There was yet time to do the only wise thing—retreat into the mountains, and depend upon a guerilla warfare, in which they would have the decided advantage. Lord George Murray now earnestly proposed this, but in vain. Sir Thomas Sheridan and other officers from France grew outrageous at that proposal, contending that they could easily beat the English, as they had done at Prestonpans and Falkirk—forgetting that the Highlanders then were full of vigour and spirit. Unfortunately, Charles listened to this foolish reasoning, and the fatal die was cast. "They said they were going for our breakfast," said Harry. "And I hope it's true, for I'm hungrier'n a rip-saw. But I could put off breakfast for awhile, if they'd only bring us our guns. I hope they'll be nice Springfield rifles that'll kill a man at a mile." "Dod durn it," blubbered Pete, "I ain't cryin' bekase Pm skeered. I'm cryin' bekase I'm afeared you'll lose me. I know durned well you'll lose me yit, with all this foolin' around." He came nearly every night. If she was not at the gate he would whistle a few bars of "Rio Bay," and she would steal out as soon as she could do so without rousing suspicion. Boarzell became theirs, their accomplice in some subtle, beautiful way. There was a little hollow on the western slope where they would crouch together and sniff the apricot scent of the gorse, which was ever afterwards to be the remembrancer of their love, and watch the farmhouse lights at Castweasel gleam and gutter beside Ramstile woods. "Yes, De Boteler," continued the lady, "I will write to him, and try to soothe his humour. You think it a humiliation—I would humble myself to the meanest serf that tills your land, could I learn the fate of my child. The abbot may have power to draw from this monk what he would conceal from us; I will at least make the experiment." The lady then, though much against De Boteler's wish, penned an epistle to the abbot, in which concession and apologies were made, and a strong invitation conveyed, that he would honour Sudley castle by his presence. The parchment was then folded, and dispatched to the abbot. "A very pretty method, truly! You know not the miners and forgers of Dean Forest!—why I would stake a noble to a silver-penny, that if you had discovered he was hidden there, and legally demanded him, he would be popped down in a bucket, to the bottom of some mine, where, even the art of Master Calverley could not have dragged him to the light of day until the Forest was clear of the pack:—but, however, to speak to the point," perceiving that the steward's patience was well nigh exhausted—"I saw Stephen Holgrave yesterday, in the Forest." HoME欧美一级 片a高清
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