20 Best Modern Fonts For Professional Designers (Serif, Sans-Serif, & Script) – 2024
Professional designers always keep their own unique collection of fonts. This collection is always changing and growing based on popular trends and projects.
We wanted to give you a few options to upgrade your own fonts collection with more superior and professional fonts. In this post, we bring you a handpicked selection of the best modern fonts you can use with your creative projects and client work.
The collection includes serif, script, and sans-serif fonts with various styles of designs. We guarantee you’ll find more than a few fonts on our list that are worth downloading. Take a look.
01. FLIX – Modern Logo & Display Font
If you’re looking for a font with a modern design for making logos, website headers, and poster titles, this font is perfect for you. The smooth letter design with curved edges gives this font a unique identity. It comes in two styles featuring regular and outline designs.
02. Devant Pro – Modern Sans-Serif Font
The tall and narrow design of this font makes it one of the best fonts you can use to craft bold titles and headings for all kinds of print and digital designs. It comes in multiple formats, including SVG and WebFont versions.
03. Ace Sans – Sans-Serif Font Family
Ace Sans is a complete family of sans-serif fonts. It includes 8 different font weights ranging from thin to extra bold. It will allow you to mix and match different font weights to craft unique titles as well as use it for paragraphs.
04. Monolith – Thin Sans Font Family
The stylishly thin design of this sans-serif font gives it a certain elegant look unlike any other font on our list. It’s perfect for designing logos, titles, and headings for modern business and professional designs. The font comes in 2 weights and matching italic versions.
05. Dastend – Trendy Script Typeface
Dastend is a stylish script font you can use to design various print and digital designs. It’s most suitable for making greeting cards, business cards, and social media posts. The font includes both uppercase and lowercase letters.
06. Cleon – Elegant Sans-Serif Font
At first glance, this font will remind you of popular lifestyle brands and logos. That’s because it features an elegant look commonly seen in modern designs. It’s ideal for designing logos, signage, labels, and more.
If you’re working on a fun and creative design project, this stylish sans-serif font will definitely help add character to your design. It comes with a beautiful and fun font design featuring both uppercase and lowercase letters. It’s perfect for greeting card and poster designs.
An elegant script font featuring a modern design. It’s just the font you’ll need to craft greeting cards, business cards, social media posts, and much more. The font comes in multiple font weights, including thin and bold weights. It also includes ligatures and swashes as well.
This unique font features a combination of modern and classic art-decon design elements. It includes a set of all-caps letters. And it’s ideal for designing titles and headings for modern posters, flyers, and book or CD covers.
Visby CF is a simple font family. It doesn’t have any fancy designs, curves, or rounded edges. It’s simply a modern standard font. This makes it a perfect choice for designing paragraph text. It will greatly improve readability.
Finding the right font pair for design projects is one of the things most designers struggle with. But, when using this font pack, you won’t have to worry about it. This font pack comes with a font pair. Featuring a serif and a script handwriting font pair that simply look perfect together.
This is a modern font you can use to design unique logos and website headers for creative businesses. In fact, it even comes with a logo kit with 8 editable vector logo templates. You can get a headstart in your logo design process when using this font + logo kit.
13. Maxine – Elegant Sans-Serif Font
Maxine is an elegant sans-serif font that looks perfect for making modern logos for creative businesses and agencies. The font comes in multiple weights and includes both uppercase and lowercase letters.
14. Blackpool – Handwritten Script Font
If you’re working on a project related to photography, fashion, or lifestyle, this beautiful font will come in handy. It features a unique handwritten design that will fit in perfectly with modern lifestyle brands and businesses. It’s also a great choice for designing business cards and greeting cards as well.
15. Grandon – Geometric Sans Font
Design bold and attractive titles for your poster and banner designs using this modern font. It features a geometrically accurate letter design made just for professional work. The font comes in multiple weights and includes both uppercase and lowercase letters.
16. Mode Style – Modern Font Duo
A yet another font duo that’s ideal for designing various modern and creative designs. The bundle includes two fonts featuring a sans-serif and a signature style script font that pairs well together. It’s a perfect combination for fashion and lifestyle brand designs.
17. Girly Love – Modern Script Font
Girly Love is a stylish script font you can use to design wedding invitations, greeting cards, and various feminine designs. The font design also makes it a great choice for crafting logos as well. It includes ligatures and multilingual support as well.
18. Zona Pro – Modern Sans Font Family
Zona Pro is a family of sans-serif fonts that features more than 18 different styles and font weights ranging from bold to thin. This font is suitable for everything from poster titles to packaging designs, logos, website headers, and much more.
19. Gilroy – Modern Professional Font
Gilroy is a creative font family with 20 different font styles. It comes with an expensive price tag. But, you can buy weights individually at a low price. This font is perfect for designing titles and headings for modern websites.
20. Campora – Modern Logo & Title Font
If you’re looking for inspiration to design a logo for a modern brand or a title for a poster, this font is the perfect place to start. It features a unique letter design that will allow you to craft attractive logos, banners, and posters. The font includes multiple weights as well.
That again was no use: he but got another smile and a friendly look of the sort he no longer wanted. I said I thought I could gallop if Harry could, and in a few minutes we were up with the ambulance. It had stopped. There were several men about it, including Sergeant Jim and Kendall, which two had come from Quinn, and having just been in the ambulance, at Ferry's side, were now remounting, both of them openly in tears. "Hello, Kendall." We have this great advantage in dealing with Plato—that his philosophical writings have come down to us entire, while the thinkers who preceded him are known only through fragments and second-hand reports. Nor is the difference merely accidental. Plato was the creator of speculative literature, properly so called: he was the first and also the greatest artist that ever clothed abstract thought in language of appropriate majesty and splendour; and it is probably to their beauty of form that we owe the preservation of his writings. Rather unfortunately, however, along with the genuine works of the master, a certain number of pieces have been handed down to us under his name, of which some are almost universally admitted to be spurious, while the authenticity of others is a question on which the best scholars are still divided. In the absence of any very cogent external evidence, an immense amount of industry and learning has been expended on this subject, and the arguments employed on both sides sometimes make us doubt whether the reasoning powers of philologists are better developed than, according to Plato, were those of mathematicians in his time. The176 two extreme positions are occupied by Grote, who accepts the whole Alexandrian canon, and Krohn, who admits nothing but the Republic;115 while much more serious critics, such as Schaarschmidt, reject along with a mass of worthless compositions several Dialogues almost equal in interest and importance to those whose authenticity has never been doubted. The great historian of Greece seems to have been rather undiscriminating both in his scepticism and in his belief; and the exclusive importance which he attributed to contemporary testimony, or to what passed for such with him, may have unduly biassed his judgment in both directions. As it happens, the authority of the canon is much weaker than Grote imagined; but even granting his extreme contention, our view of Plato’s philosophy would not be seriously affected by it, for the pieces which are rejected by all other critics have no speculative importance whatever. The case would be far different were we to agree with those who impugn the genuineness of the Parmenides, the Sophist, the Statesman, the Philêbus, and the Laws; for these compositions mark a new departure in Platonism amounting to a complete transformation of its fundamental principles, which indeed is one of the reasons why their authenticity has been denied. Apart, however, from the numerous evidences of Platonic authorship furnished by the Dialogues themselves, as well as by the indirect references to them in Aristotle’s writings, it seems utterly incredible that a thinker scarcely, if at all, inferior to the master himself—as the supposed imitator must assuredly have been—should have consented to let his reasonings pass current under a false name, and that, too, the name of one whose teaching he in some respects controverted; while there is a further difficulty in assuming that his existence could pass unnoticed at a period marked by intense literary and philosophical activity. Readers who177 wish for fuller information on the subject will find in Zeller’s pages a careful and lucid digest of the whole controversy leading to a moderately conservative conclusion. Others will doubtless be content to accept Prof. Jowett’s verdict, that ‘on the whole not a sixteenth part of the writings which pass under the name of Plato, if we exclude the works rejected by the ancients themselves, can be fairly doubted by those who are willing to allow that a considerable change and growth may have taken place in his philosophy.’116 To which we may add that the Platonic dialogues, whether the work of one or more hands, and however widely differing among themselves, together represent a single phase of thought, and are appropriately studied as a connected series. Before entering on our task, one more difficulty remains to be noticed. Plato, although the greatest master of prose composition that ever lived, and for his time a remarkably voluminous author, cherished a strong dislike for books, and even affected to regret that the art of writing had ever been invented. A man, he said, might amuse himself by putting down his ideas on paper, and might even find written178 memoranda useful for private reference, but the only instruction worth speaking of was conveyed by oral communication, which made it possible for objections unforeseen by the teacher to be freely urged and answered.117 Such had been the method of Socrates, and such was doubtless the practice of Plato himself whenever it was possible for him to set forth his philosophy by word of mouth. It has been supposed, for this reason, that the great writer did not take his own books in earnest, and wished them to be regarded as no more than the elegant recreations of a leisure hour, while his deeper and more serious thoughts were reserved for lectures and conversations, of which, beyond a few allusions in Aristotle, every record has perished. That such, however, was not the case, may be easily shown. In the first place it is evident, from the extreme pains taken by Plato to throw his philosophical expositions into conversational form, that he did not despair of providing a literary substitute for spoken dialogue. Secondly, it is a strong confirmation of this theory that Aristotle, a personal friend and pupil of Plato during many years, should so frequently refer to the Dialogues as authoritative evidences of his master’s opinions on the most important topics. And, lastly, if it can be shown that the documents in question do actually embody a comprehensive and connected view of life and of the world, we shall feel satisfied that the oral teaching of Plato, had it been preserved, would not modify in any material degree the impression conveyed by his written compositions. breakfast in the kitchen by candle-light, and then drove the five The bargaining was interminable, something in this manner:— Then follows a long discussion in Hindi with the bystanders, who always escort a foreigner in a mob, ending in the question— There was a bright I. D. blanket spread on the ground a little way back from the fire, and she threw herself down upon it. All that was picturesque in his memories of history flashed back to Cairness, as he took his place beside Landor on the log and looked at her. Boadicea might have sat so in the depths of the Icenean forests, in the light of the torches of the Druids. So the Babylonian queen might have rested in the midst of her victorious armies, or she of Palmyra, after the lion hunt in the deserts of Syria. Her eyes, red lighted beneath the shadowing lashes, met his. Then she glanced away into the blackness of the pine forest, and calling her dog to lie down beside her, stroked its silky red head. The retreat was made, and the men found themselves again in the morning on the bleak, black heath of Drummossie, hungry and worn out, yet in expectation of a battle. There was yet time to do the only wise thing—retreat into the mountains, and depend upon a guerilla warfare, in which they would have the decided advantage. Lord George Murray now earnestly proposed this, but in vain. Sir Thomas Sheridan and other officers from France grew outrageous at that proposal, contending that they could easily beat the English, as they had done at Prestonpans and Falkirk—forgetting that the Highlanders then were full of vigour and spirit. Unfortunately, Charles listened to this foolish reasoning, and the fatal die was cast. "They said they were going for our breakfast," said Harry. "And I hope it's true, for I'm hungrier'n a rip-saw. But I could put off breakfast for awhile, if they'd only bring us our guns. I hope they'll be nice Springfield rifles that'll kill a man at a mile." "Dod durn it," blubbered Pete, "I ain't cryin' bekase Pm skeered. I'm cryin' bekase I'm afeared you'll lose me. I know durned well you'll lose me yit, with all this foolin' around." He came nearly every night. If she was not at the gate he would whistle a few bars of "Rio Bay," and she would steal out as soon as she could do so without rousing suspicion. Boarzell became theirs, their accomplice in some subtle, beautiful way. There was a little hollow on the western slope where they would crouch together and sniff the apricot scent of the gorse, which was ever afterwards to be the remembrancer of their love, and watch the farmhouse lights at Castweasel gleam and gutter beside Ramstile woods. "Yes, De Boteler," continued the lady, "I will write to him, and try to soothe his humour. You think it a humiliation—I would humble myself to the meanest serf that tills your land, could I learn the fate of my child. The abbot may have power to draw from this monk what he would conceal from us; I will at least make the experiment." The lady then, though much against De Boteler's wish, penned an epistle to the abbot, in which concession and apologies were made, and a strong invitation conveyed, that he would honour Sudley castle by his presence. The parchment was then folded, and dispatched to the abbot. "A very pretty method, truly! You know not the miners and forgers of Dean Forest!—why I would stake a noble to a silver-penny, that if you had discovered he was hidden there, and legally demanded him, he would be popped down in a bucket, to the bottom of some mine, where, even the art of Master Calverley could not have dragged him to the light of day until the Forest was clear of the pack:—but, however, to speak to the point," perceiving that the steward's patience was well nigh exhausted—"I saw Stephen Holgrave yesterday, in the Forest." HoME欧美一级 片a高清
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